By Nadia Irshād
New Paragraph
I'm drawing a picture in words
something visceral,
so visual it tugs, and you feel a necessity to protect it, gloss it
given it's an anomaly, something shaped by the truth
This drawing is intended to be as intense as the rancour in the heart of manipulation wrapped in lies.
As cutting as the sound of his braying.
It is an exorcise.
Like a bogus cancer scare annexed
by a fictional trip to a San Diego Medical Centre
due to the heartfelt advise of a doctor in an overcrowded emergency room
just next to his third eye, his right hand,
his beloved cellphone left behind with his best friend in Gastown, he says
Broken heart messages and photos tagged with a tender swell across his back
the cause of midnight texts full of things so titanic that it's plain impossible to stop splitting you open, he says
all my friends repeatedly ask me if I've fucked you, he says
we are mama and papa arguing over trivial things, he says
He's forgotten the year long vigil I held,
the pillar stands firm,
the earth acquiesced, and the wind chimes across dense tracks of trees to confirm
he will never ever see the light of a beautiful woman again
they are all too good for him, I told him then and he understood, I said
A footpath of stones that twitch to the mocking sounds he makes
the tick tock of a clock that drills into the peace with his conceit
hubris etched in the curse words scribbled across his fingers
a fist full of tatts,
he peacocks to get his pendulum to swing
and the darkness mirrored in the ink on his thumbs blinds him
as does his preoccupation with fight club and a man named Brad
He believes he can outsmart anyone
but he can't
his face sheds uncovering the ghoul behind the mask
the face his threadbare lopsided gremlin adores and shows her friends
Listen here.
I will not give you what you want.
Pack your knuckles, the stench of rotted fruit,
your cyclical bargains and days billed to me for laziness spent
But before you go let's make one last pact
Let's accept there was no rehab or AA meeting even in abstract
that you drink to a sobriety you've never ever met
concede, admit you took the word healing in jest
I see you like a water filled pitcher of crystal clear glass
that you've spiked with vodka
and rimmed with the salt from your apathy, some tears
A spicy Margherita in fact
the ones that blame everyone but yourself for your egregious acts
On the day you handed me your twelve thousandth lie
smoked the Marlboro cigarette
fruit sprouted from a bud
I'm referring to the rotten fruit that lay awaiting you in that cupboard,
spoiling the Caribbean oasis
it also made a pact
it promised the tree and the earth that fed it
that it would ensure you took in your own scent
that the stench would always last and you would never be able to forget it
Now that leads us all to the ultimate question
the most interesting part of this portrait where all the colour and form is in my possession
where it's action packed
the decaying fruit alone in a cabinet, on an island in fact
what is more noble than sacrificing oneself for the truth,
a counterattack?